SOUND DESIGNER //
Hafeed Jraybee_
ポストヒューマン
01
Description
Leeds-based Sound Designer with a lifelong love for creative imagination, inspired by my dad. My audio journey began at 13 with a guitar. Years later, I pursued a degree in Computer Science and eventually started my career as a boom operator for a local Libyan film production company.
Remote collaborations opened doors to larger audio post-production projects. My roles varied from Foley, sound effects editing, to re-recording mixing. In 2022, I joined Nomadroid Studios as an Audio Designer, overseeing the entire audio experience and shipping my first indie game in June 2024.
With enough savings, I self-funded my studies at Leeds Beckett University, and shortly after arriving in the UK, I secured an internship with 344 Audio, contributing to two unannounced AAA titles.
Beyond work, I enjoy listening to progressive metal, discovering new synthesizers, and reading.
Currently, I am a Sound Designer at 1047 Games, working on Splitgate 2.
Colleagues Quotes_
Every project we’ve hired Hafeed challenged him in new ways, whether it be through new software he never used before, animated TV Shows, Reality TV Shows, or shows working with complicated vehicle sequences. When work was submitted for review, Hafeed was open to feedback, willing to make the requested changes, and asked questions when he did not understand some ways of working, which has saved me a lot of time and has helped me out immensely.
Tyler Gillis — Aftertouchaudio
Working with Hafeed was an absolute game-changer for my projects. His sound design chops are intuitive, punchy, and ever so importantly, story-driven. But Hafeed’s talent goes beyond just technical expertise. He’s a creative powerhouse who brings fresh ideas and a collaborative spirit to the table.
Vanessa Flores — Re-recording mixer at Banana Post