Splitgate: Arena Reloaded_

I was in charge of the Foley department for Splitgate 2 and Splitgate: Arena Reloaded, where I designed the content using the Foley that Warner Bros recorded for the game in First Person and Third Person, and handled everything from building the systems to in-game testing/debugging and mixing.

In this video, I’m showcasing the enemy portal sound in different contexts, starting with an exterior environment, then moving to an interior space to demonstrate how it reacts to reverb while maintaining high fidelity. Lastly, in a team deathmatch match battle scenario.

Responsible for designing the UI sonic palette and content that felt unique to the world of Splitgate, building the systems with Audio Programmers and Engineers that made the game’s language speak effectively to the player through feedback that was easy to understand and still fit the world.

I was in charge of glacier map audio from design and implementation to optimization. if you want to hear more of this map you can check this video where I stand still in some areas of the map.

I was in charge of the Hangman game mode (Battle Royale) in Splitgate: Arena Reloaded, designing audio for Events, Gameplay UI, Dropping, POIs, mixing in-game combat,  performance optimization and more. Please feel free to contact me for more content and information.

Designed and implemented the shots. I’m using a different skin to the weapon in this capture.

Designed the logo animation for Splitgate: Arena Reloaded, using portal sound as the main driver for storytelling.

I was in charge of Zenith map audio from design and implementation to optimization. if you want to hear more of this map you can check this video where I stand still in some areas of the map.

Designed the weapon inspect audio for the Meridian SMG

Designed the weapon inspect audio for the Meridian Charge Pistol Prism Skin.